![]() Director Harish ShankarProducer Ganesh BabuMusic Devi Sri PrasadCinematography Jayanan VincentEditing Goutham RajuStory Dileep ShuklaAbhinav Kashyap Screenplay Satish VegesnaRamesh Reddy Dialogues Satish VegesnaChoreography GaneshAction Ram LakshmanArt Director Bramha KadaliPresented By Shiva Babu BandlaBanner Parameswara ArtsRelease Date May 11, 2012Run Time 135 MinLanguage Telugu | STAR CASTPavan Kalyan, Sruthi Hassan, Suhasini, Abhimanyu Singh, Ajay, Nagineedu, Kota Srinivasa Rao, Brahmanandam, Rao Ramesh, Satyam Rajesh, Malaika Arora, Gayatri, Tanikella BharaniGABBAR SINGH VIDEOSGABBAR SINGH PHOTO GALLERYGABBAR SINGH MOVIE REVIEWS123Telugu.com The movie has good comedy, superb dialogues and some very entertaining episodes from Pawan. A faster second half and a better climax block would have really elevated the film. Still, the sheer brilliance of the first half and a sterling performance from Pawan make Gabbar Singh a solidly entertaining watch. Read More BharatStudent 3.5/5 While the first half was filled with entertainment, romance, comedy and songs, the second half had few serious angles of sentiment and an added dose of comedy. With good masala formula and an energetic pace, the film scores in all departments. Read More GreatAndhra.com 3.75/5 'Gabbar Singh' is a product which has the right mix of Pawanism, comedy, sentiment, romance and action. Perhaps the only hiccup in the film was the climax which ended on a rather quick note. Though the voltage was less, the entire energy throughout the film was maintained and due credit must be given to the screenplay and dialogues. Read More IdleBrain.com 3.5/5 First half of the film is highly entertaining. Second half has some story. Looks like this film is made with the sole purpose of entertainment with a workable script. Pawan Kalyan's inbuilt mannerism and attitude and merged perfectly by the character written for him. The film has 80% Pawan Kalyan and 20% rest of the cast. Read More IndiaGlitz All in all, GS is a treat to Pawan's fans, but it has not been made for the first week audience alone. This one will be a genuine hit, registering repeat audience for sure. Read More CineGoer.com Gabbar Singh proves that you don't need a fresh story or great screenplay to deliver success, one lengthy comedy episode and a few pelvic thrusts are enough to hit the jackpot. Harish Shankar, welcome to the Sreenu Vaitla league! You've done it again. Read More TeluguCinema.com 3.5/5 The film is par better than most other commercial films of today, though the penultimate sequences are disappointment. However, the film is quite decent by most of the current societal and filmic standards and on the whole, it is a well-packaged commercial entertainer. Read More OneIndia Jayanan Vincent's cinematography is perfect and Gauthamraju's editing is apt. Director Harish Shankar has penned a perfect script, screenplay and direction to the entire film. Though the narration of the film in the second half appears to be slow, the director some how manages to take the film forward without any boring scenes. Read More TimesOfIndia.com 4/5 The music score by Devi Sri Prasad stands out and enhances the whole experience. Malaika Arora's item number Kevvu Keka is the stand out. The cinematography is sharp and so is the editing. The action sequences also have been well choreographed. The movie sets a new benchmark as far as "paisa vasool" goes. Read More Sify.com A mass entertainer The first half is filled with mass masala, while the second half turns hackneyed, but the drawback is instantly overcome thanks to the comedy. Read More Rediff.com 2.5/5 Entertaining it may be, but Gabbar Singh is filled with violence and some vulgarity and not meant for the very young audience. Read More Galatta.com Gabbar Singh has the right dose of the staple ingredients -- action, comedy, romance, and songs, including an item number (Kevu Keka) performed by Malaika Arora Khan. Harish Shankar did many changes to Dabangg script and most of his changes work. Screenplay is racy in the first half and moves at a decent pace in the second hour. Read More |